Check out this interview with John Orloff, the screenwriter behind Roland Emmerich’s forthcoming film about the Shakespeare Authorship Mystery. Note that the movie’s release date has been pushed back from March 2011 to September 23, 2011. Here are a few paragraphs from the interview … followed by the link to read the entire article. Enjoy! Matthew
John Orloff is an acclaimed screenwriter who is quickly proving how adept he is at creating worlds that audiences can lose themselves in. He has the Zack Snyder-directed 3D animated feature Legend of the Guardians: The Owls of Ga’Hoole in theaters on September 24th, and then Anonymous, a period drama centered on the Shakespeare authorship question, directed by Roland Emmerich, out in the fall of 2011.
Although I spoke to him in an exclusive phone interview for Collider to promote the release of Legend of the Guardians, Orloff also talked in-depth about Anonymous and the approach in making it, as he is also an executive producer on that film. Because there was so much detail on what sounds like a very intricate, multi-layered story, I decided to split the interview in two, starting with what he had to say about Anonymous. Check out what he had to say about that film after the jump, and then check back later this week to read about how he got involved with Legend of the Guardians.
Where did the idea for Anonymous come from and what is that film about?
JOHN ORLOFF: That script was actually the first script that I wrote, about 15 years ago. I became interested in the Shakespeare authorship issue in college, in regard to who wrote the plays. I had no idea there was a Shakespeare authorship issue at all, and the more that I became totally fascinated by it and the more research I did, the more I went, “Wow, this is an amazingly complicated world in Elizabethan England.” It’s never really been shown, how dark it was. It was really a totalitarian state. And, when you combine that with this incredible person, whoever he may have been, that’s a really interesting idea for a movie.
So, I just did tons and tons of research and eventually wrote a script. Unfortunately, my script was completed about two months before Shakespeare in Love came out, but it was my calling card. People would take meetings with me because they had read the script. I would have the meeting and they would go, “Oh, we love the script, but we’re never going to make this movie because there was just Shakespeare in Love.” So, I just put it in my desk and anytime I’d go to a meeting, I’d bring it up and I’d usually have the same response of, “Nobody’s going to make that movie.” And then, one day, about eight years ago, I was in Roland Emmerich’s office talking about a different movie and he asked me about other things that I was passionate about and what I had written, and I started to tell him the story of this movie. He was quite fascinated and he read the script, and he also became enamored and interested in the subject matter and did his own research. We did a lot of revisions on the script, and we finally made it a couple months ago.
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