The Legally Annotated HAMLET – Act Three Scenes 3 & 4
by Mark Andre Alexander Act One | Act Two | Act Three | Act Four | Act Five ACT THREE Scenes 1 & 2 |
Exploring the evidence that the works of Shakespeare were written by Edward de Vere, 17th Earl of Oxford
by Mark Andre Alexander Act One | Act Two | Act Three | Act Four | Act Five ACT THREE Scenes 1 & 2 |
by Mark Andre Alexander Act One | Act Two | Act Three | Act Four | Act Five ACT THREE Scenes 1 & 2 |
by Mark Andre Alexander Act One | Act Two | Act Three | Act Four | Act Five ACT ONE Scene 1 | Scene 2 |
by Mark Andre Alexander Act One | Act Two | Act Three | Act Four | Act Five ACT ONE Scene 1 | Scene 2 |
by Mark Andre Alexander Act One | Act Two | Act Three | Act Four | Act Five ACT ONE Scene 1 | Scene 2
by Mark Andre Alexander Act One | Act Two | Act Three | Act Four | Act Five ACT ONE Scene 1 | Scene 2 | Scenes 3
by Mark Alexander. A scene by scene analysis of legal themes and allusions in Shakespeare’s Hamlet.
by Robert Detobel Fidelio: Here’s the pen, captain: your name to the sale. Captain: ‘S foot, dost take me to be penman? … Fidelio: Take
by Charlton Ogburn Jr. This essay was posted on the Shakespeare Oxford Society (now SOF) website on September 9, 2005, and represents an enlightening summary
Demonography 101: Alan Nelson’s Monstrous Adversary by Peter R. Moore Alan H. Nelson, Monstrous Adversary: The Life of Edward de Vere, 17th Earl of Oxford (Liverpool
The Shakespeare Oxford Fellowship (SOF) is pleased to offer five reviews of Professor Alan H. Nelson’s book, Monstrous Adversary: The Life of Edward de Vere,
by Lynne Kositsky and Roger Stritmatter September 12, 2004 In an undated internet essay by Mr. Tom Reedy and Dr. David Kathman, “How We Know
by Roger Stritmatter Kill All the Lawyers?: Shakespeare’s Legal Appeal by Daniel Kornstein. Princeton: Princeton University Press, 1994. According to one prominent version of recent
By Ken Kaplan Deconstructing Ungentle Shakespeare: The Authorship Issue and Stratfordian Biography, Part I The great criticism, centuries old, of traditional Shakespearean biography has always
by Alex McNeil September 9, 2002 If there’s one thing Oxfordians can agree on, it’s that Edward de Vere used an alias as a professional
By Roger Stritmatter A review-essay of Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England,by Annabel Patterson. 1992. Hailed a decade
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