Los Angeles, CA, Nov. 21, 2011 — Amidst all the controversy surrounding Sony Pictures’ recently-released feature film Anonymous, actor and author Michael York, O.B.E., launched a powerful, multi-pronged counter-offensive against the Shakespeare Birthplace Trust (SBT) in Stratford-upon-Avon, and its “60 Minutes with Shakespeare” authorship campaign, initiated in response to the film. York also announced a monumental breakthrough in the Shakespeare Authorship Controversy — detailed evidence that William Shakespeare traveled all over Italy. The problem for orthodox Shakespeare scholars is that the Stratford man never left England.
SAC Chairman John Shahan announced that a coalition of a dozen authorship organizations, based in the U.S., U.K. and Germany, has rebutted each point in the SBT “60 Minutes.” The rebuttal document, titled Exposing An Industry in Denial: Authorship Doubters Respond To “60 Minutes with Shakespeare.” “The SBT made a mistake in coming down from their ivory tower to attack us,” Shahan said. “This rebuttal document makes it clear that the best of our scholars are far superior to theirs.”
Shahan issued a challenge to the SBT to write a single definitive declaration of the reasons why they claim there is “no room for doubt” about the identity of William Shakespeare and post it along with the names of those who have endorsed it. He noted that the SAC wrote and posted a definitive statement of its position, the Declaration of Reasonable Doubt About the Identity of William Shakespeare, in 2007; and it has now been signed by over 2,200 people — over 800 with advanced degrees, and nearly 400 current or former college faculty members.
Hilary Roe Metternich announced the discovery of strong new evidence in the controversy, contained in the just-released book, The Shakespeare Guide to Italy: Retracing the Bard’s Unknown Travels, by Richard Paul Roe (HarperPerennial). Ms. Metternich, daughter of the author, a prominent Pasadena attorney who died late last year, said that her father had spent over 20 years searching in Italy, his only guide being the texts of Shakespeare’s 10 “Italian plays” — those set roughly in his own time (not counting the three plays set in ancient Rome).
“The clues were right there in the plays,” Metternich said. “My father found the locations of nearly every scene in all 10 plays, locations missed by orthodox scholars for over 400 years.” “His great chronicle of travel, analysis and discovery paints with amazing clarity a picture of what the author ‘Shakespeare,’ whoever he was, witnessed before writing his Italian Plays.”
For more information, visit the Shakespeare Authorship Coalition
