Dorothea Dickerman: How I Became an Oxfordian
August 2, 2021 When I was ten, my mother took me to Franco Zeffirelli’s ground-breaking Romeo and Juliet on the big screen. I begged for
August 2, 2021 When I was ten, my mother took me to Franco Zeffirelli’s ground-breaking Romeo and Juliet on the big screen. I begged for
by Diana Price (Editorial Note: This article was originally published in The Elizabethan Review, vol. 4, no. 2, p. 4 (August 1996) (PDF available here),
December 5, 2014 Survey Says (2014) by Alex McNeil Attendees at this year’s Annual Conference were invited to fill out a survey (see below),
Joseph Sobran writes about the central thesis to his new book Alias Shakespeare, namely that the Sonnets provide the key evidence that the author of the Shakespeare Canon cannot be the Stratford man, and must be, among all the various claimants, Edward de Vere; and further, that the homosexual relationship revealed in the Sonnets explains the reason for covering up the true authorship.
Charlton Ogburn, Jr. responds to Sobran’s “Shakespeare’s Disgrace” by noting that the homosexual theory doesn’t measure up either to Oxford’s known life, or to what is revealed of the author in all the Shakespeare plays. He considers instead that the controversial alternate theory to the relationship between Shakespeare/Oxford and Southampton (i.e. that they may have been family) is more likely to explain the authorship mystery and the need for preserving his mature works under the “Shake-speare” pseudonym.
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