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	<title>Reviews &#8211; Shakespeare Oxford Fellowship</title>
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	<description>Exploring the evidence that the works of Shakespeare were written by Edward de Vere, 17th Earl of Oxford</description>
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	<title>Reviews &#8211; Shakespeare Oxford Fellowship</title>
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		<title>Bryan Wildenthal blog</title>
		<link>https://shakespeareoxfordfellowship.org/bryan-wildenthal-blog/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bryan-wildenthal-blog</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Tue, 01 Aug 2023 16:30:10 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Edward de Vere 17th Earl of Oxford]]></category>
		<category><![CDATA[Elizabeth Winkler reviews]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=41492</guid>

					<description><![CDATA[Scholar and law Professor of Law at Thomas Jefferson School of Law in San Diego, CA, Bryan H. Wildenthal has written several trenchant reviews of the responses to Elizabeth Winkler’s book and magazine article, “Shakespeare Was a Woman and Other Heresies — How Doubting the Bard Became the Biggest Taboo in Literature.&#8221; They are available [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Patrick Sullivan reviews Shakespeare was a Woman and Other Heresies by Elizabeth Winkler</title>
		<link>https://shakespeareoxfordfellowship.org/shakespeare-was-a-woman-and-other-heresies-by-elizabeth-winkler-a-review/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shakespeare-was-a-woman-and-other-heresies-by-elizabeth-winkler-a-review</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Tue, 23 May 2023 16:30:20 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[challenge to Shakespeare]]></category>
		<category><![CDATA[SAQ]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=40005</guid>

					<description><![CDATA[Elizabeth Winkler&#8217;s new book was published by Simon and Schuster on May 9th and is garnering spectacular praise. No Frail Woman, She Review by Patrick Sullivan Elizabeth Winkler’s book, Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature, might well be the best book out there now [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Looney reviewed by Times of India (1920): &#8220;The Latest Shakespeare&#8221;</title>
		<link>https://shakespeareoxfordfellowship.org/times-of-india-1920/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=times-of-india-1920</link>
		
		<dc:creator><![CDATA[Bryan Wildenthal]]></dc:creator>
		<pubDate>Tue, 26 May 2020 16:00:30 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[17th Earl of Oxford]]></category>
		<category><![CDATA[Bombay]]></category>
		<category><![CDATA[Burbage]]></category>
		<category><![CDATA[Cecil Palmer]]></category>
		<category><![CDATA[Centennial]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Golding]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[J. Thomas Looney]]></category>
		<category><![CDATA[James Warren]]></category>
		<category><![CDATA[Lucrece]]></category>
		<category><![CDATA[Mumbai]]></category>
		<category><![CDATA[Shakespeare Identified]]></category>
		<category><![CDATA[Spenser]]></category>
		<category><![CDATA[Times of India]]></category>
		<category><![CDATA[Venus and Adonis]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=25892</guid>

					<description><![CDATA[The SOF republishes here, exactly 100 years after it first appeared, a review from &#8220;farthest India&#8221; of J. Thomas Looney&#8217;s book launching the modern Oxfordian theory, &#8220;Shakespeare&#8221; Identified in Edward de Vere the Seventeenth Earl of Oxford. The book, the centennial of which is being celebrated by the SOF during 2020, was originally published on [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Looney, &#8220;Shakespeare Identified&#8221;: ebook published</title>
		<link>https://shakespeareoxfordfellowship.org/ebook-edition-of-shakespeare-identified-launched-to-commemorate-470th-birthday-of-edward-de-vere/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ebook-edition-of-shakespeare-identified-launched-to-commemorate-470th-birthday-of-edward-de-vere</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sun, 12 Apr 2020 18:00:18 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[“Shakespeare" Identified in Edward de Vere]]></category>
		<category><![CDATA[Centenary edition]]></category>
		<category><![CDATA[J. Thomas Looney]]></category>
		<category><![CDATA[James Warren]]></category>
		<category><![CDATA[Seventeenth Earl of Oxford]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordfellowship.org/?p=25313</guid>

					<description><![CDATA[An electronic edition is now available of the groundbreaking book, &#8220;Shakespeare&#8221; Identified in Edward de Vere the Seventeenth Earl of Oxford, which first recognized Oxford as the author who wrote under the pseudonym &#8220;William Shakespeare.&#8221; The publication of this ebook commemorates the 470th birthday of Edward de Vere (Earl of Oxford), who was born on [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Stritmatter Book on Oxford&#8217;s Poems Published by SOF</title>
		<link>https://shakespeareoxfordfellowship.org/stritmatter-book-on-oxfords-poems-1st-volume-now-on-amazon/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stritmatter-book-on-oxfords-poems-1st-volume-now-on-amazon</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sat, 27 Apr 2019 17:00:34 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[17th Earl of Oxford]]></category>
		<category><![CDATA[Alexander Waugh]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Justice John Paul Stevens]]></category>
		<category><![CDATA[Lynne Kositsky]]></category>
		<category><![CDATA[NY Times]]></category>
		<category><![CDATA[Roger Stritmatter]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Shakespeare Authorship Question]]></category>
		<category><![CDATA[Shakespeare Oxford Fellowship]]></category>
		<category><![CDATA[William Niederkorn]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=19990</guid>

					<description><![CDATA[First in New Scholarly Book Series At a time of year when the Shakespeare establishment commemorates the life of a man from Stratford-upon-Avon who cannot be proved to have ever attended a school, written a letter, or owned a book, the Shakespeare Oxford Fellowship is celebrating the life and poetry of Edward de Vere, 17th [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Will Power: Portrait of a Natural Wit—A Review of the 10-part TNT series</title>
		<link>https://shakespeareoxfordfellowship.org/will-power-portrait-natural-wit-review-10-part-tnt-series/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=will-power-portrait-natural-wit-review-10-part-tnt-series</link>
		
		<dc:creator><![CDATA[Lucinda Foulke]]></dc:creator>
		<pubDate>Sun, 01 Oct 2017 16:00:11 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alice Burbage]]></category>
		<category><![CDATA[Craig Pearce]]></category>
		<category><![CDATA[James Norwood]]></category>
		<category><![CDATA[LAURIE DAVIDSON]]></category>
		<category><![CDATA[Michael Wood]]></category>
		<category><![CDATA[OLIVIA DEJONG]]></category>
		<category><![CDATA[Paul Edmondson]]></category>
		<category><![CDATA[RICHARD TOPCLIFFE]]></category>
		<category><![CDATA[ROBERT SOUTHWELL]]></category>
		<category><![CDATA[Sarah Aubrey]]></category>
		<category><![CDATA[Shakespeare Birthplace Trust]]></category>
		<category><![CDATA[Shekhar Kapur]]></category>
		<category><![CDATA[TNT cable network]]></category>
		<category><![CDATA[Will Shakeshaft]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=12614</guid>

					<description><![CDATA[James Norwood WHERE THERE’S A WILL, THERE’S A WAY!  Will Shakeshaft dreams of a glorious life in the public theater of London, but, as portrayed in this series, his biggest challenge is coming up with ideas for plays. In Stratford-upon-Avon, the youthful writer Will Shakeshaft walks out on his family, leaving his wife Anne and [&#8230;]]]></description>
		
		
		
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		<item>
		<title>PBS, &#8220;Shakespeare Uncovered&#8221;: reviewed by Norwood (part 3)</title>
		<link>https://shakespeareoxfordfellowship.org/part-three-norwood-reviews-pbs-series-shakespeare-uncovered/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=part-three-norwood-reviews-pbs-series-shakespeare-uncovered</link>
		
		<dc:creator><![CDATA[Linda Theil]]></dc:creator>
		<pubDate>Mon, 16 Feb 2015 00:23:30 +0000</pubDate>
				<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Anthony and Cleopatra]]></category>
		<category><![CDATA[James Norwood]]></category>
		<category><![CDATA[Romeo and Juliet]]></category>
		<category><![CDATA[Shakespeare Uncovered]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordfellowship.org/?p=5895</guid>

					<description><![CDATA[Professor James Norwood explains how the PBS series Shakespeare Uncovered inadvertently reveals the inadequacies of the Stratfordian attribution of Shakespeare’s plays. In this third part of his review, Norwood examines episodes on Antony and Cleopatra and Romeo and Juliet. In part 1, he reviews episodes on A Midsummer Night’s Dream and King Lear. In part 2, he reviews episodes on The Taming of the Shrew and Othello. See Shakespeare [&#8230;]]]></description>
		
		
		
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		<item>
		<title>PBS, &#8220;Shakespeare Uncovered&#8221;: reviewed by Norwood (part 2)</title>
		<link>https://shakespeareoxfordfellowship.org/part-two-norwood-reviews-pbs-series-shakespeare-uncovered/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=part-two-norwood-reviews-pbs-series-shakespeare-uncovered</link>
		
		<dc:creator><![CDATA[Linda Theil]]></dc:creator>
		<pubDate>Sun, 08 Feb 2015 21:01:28 +0000</pubDate>
				<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Charlton Ogburn]]></category>
		<category><![CDATA[James Norwood]]></category>
		<category><![CDATA[James Norwood PhD]]></category>
		<category><![CDATA[Othello]]></category>
		<category><![CDATA[Shakespeare Uncovered]]></category>
		<category><![CDATA[Taming of the Shrew]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordfellowship.org/?p=5847</guid>

					<description><![CDATA[Professor James Norwood explains how the PBS series Shakespeare Uncovered inadvertently reveals the inadequacies of the Stratfordian attribution of Shakespeare’s plays. In this second part of his review, Norwood examines episodes on The Taming of the Shrew and Othello. In part 1, he reviews episodes on A Midsummer Night&#8217;s Dream and King Lear. In part 3, he [&#8230;]]]></description>
		
		
		
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		<title>PBS, &#8220;Shakespeare Uncovered&#8221;: reviewed by Norwood (part 1)</title>
		<link>https://shakespeareoxfordfellowship.org/norwood-reviews-pbs-series-shakespeare-uncovered/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=norwood-reviews-pbs-series-shakespeare-uncovered</link>
		
		<dc:creator><![CDATA[Linda Theil]]></dc:creator>
		<pubDate>Sun, 01 Feb 2015 22:01:21 +0000</pubDate>
				<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Hugh Bonneville]]></category>
		<category><![CDATA[James Norwood PhD]]></category>
		<category><![CDATA[Jonathan Bate]]></category>
		<category><![CDATA[Shakespeare Uncovered]]></category>
		<category><![CDATA[Stephen Greenblatt]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordfellowship.org/?p=5819</guid>

					<description><![CDATA[Professor James Norwood explains how the PBS series Shakespeare Uncovered inadvertently reveals the inadequacies of the Stratfordian attribution of Shakespeare&#8217;s plays. In this first part of his review, Norwood examines episodes on A Midsummer Night&#8217;s Dream and King Lear. In part 2, he reviews episodes on The Taming of the Shrew and Othello. In part 3, he [&#8230;]]]></description>
		
		
		
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		<title>Magri, &#8220;Such Fruits Out of Italy&#8221;: news article</title>
		<link>https://shakespeareoxfordfellowship.org/goldstein-announces-publication-of-noemi-magris-collected-research/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=goldstein-announces-publication-of-noemi-magris-collected-research</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sat, 23 Aug 2014 21:06:22 +0000</pubDate>
				<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Adige River]]></category>
		<category><![CDATA[Belmont]]></category>
		<category><![CDATA[Brenta River]]></category>
		<category><![CDATA[Brief Chronicles]]></category>
		<category><![CDATA[Duke Urbino]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Elizabethan Review]]></category>
		<category><![CDATA[Epirus]]></category>
		<category><![CDATA[Florence]]></category>
		<category><![CDATA[Gary Goldstein]]></category>
		<category><![CDATA[Gonzago]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Italian canals]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Laugwitz Verlag]]></category>
		<category><![CDATA[Metamorphoses]]></category>
		<category><![CDATA[Michael Delahoyde]]></category>
		<category><![CDATA[Milan]]></category>
		<category><![CDATA[Noemi Magri]]></category>
		<category><![CDATA[Orsini]]></category>
		<category><![CDATA[Othello]]></category>
		<category><![CDATA[Ovid]]></category>
		<category><![CDATA[Oxfordian]]></category>
		<category><![CDATA[Palazzo Barberini]]></category>
		<category><![CDATA[Peter Moore]]></category>
		<category><![CDATA[Po River]]></category>
		<category><![CDATA[Robin Fox]]></category>
		<category><![CDATA[Sagittary]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Sky Gilbert]]></category>
		<category><![CDATA[Such Fruits Out of Italy]]></category>
		<category><![CDATA[Taming of the Shrew]]></category>
		<category><![CDATA[Titian]]></category>
		<category><![CDATA[Twelfth Night]]></category>
		<category><![CDATA[Two Gentlemen of Verona]]></category>
		<category><![CDATA[Uwe Laugwitz]]></category>
		<category><![CDATA[Venice]]></category>
		<category><![CDATA[Venus and Adonis]]></category>
		<category><![CDATA[Verona]]></category>
		<category><![CDATA[Villa Foscari]]></category>
		<category><![CDATA[Warren Hope]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<category><![CDATA[Winter's Tale]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordfellowship.org/?p=5093</guid>

					<description><![CDATA[August 23, 2014 — Gary Goldstein, former editor of Brief Chronicles and the Elizabethan Review, announced today that the collected works of the late Italian researcher Noemi Magri, Ph.D., have been published in English by the German firm Laugwitz Verlag. Goldstein spent the past year editing Dr. Magri&#8217;s work. (Update: Goldstein has been editor of [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Feldman, &#8220;Hamlet Himself&#8221;: reviewed by Waugaman</title>
		<link>https://shakespeareoxfordfellowship.org/review-of-hamlet-himself-by-bronson-feldman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=review-of-hamlet-himself-by-bronson-feldman</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Fri, 20 Sep 2013 04:31:04 +0000</pubDate>
				<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Bronson Feldman]]></category>
		<category><![CDATA[HAMLET HIMSELF]]></category>
		<category><![CDATA[Richard M. Waugaman]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=1534</guid>

					<description><![CDATA[by Richard M. Waugaman Bronson Feldman, Hamlet Himself (2010). This review was published on the SOF website, Sept. 20, 2013. Graham Bradshaw famously said “Hamlet can seem [to be] an actual person who somehow has been caught inside a play”(quoted by Bloom,1 401). Abraham Bronson Feldman’s book elucidates who this “actual person” is. Building on [&#8230;]]]></description>
		
		
		
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		<title>&#8220;Last Will. &#038; Testament&#8221; Explores Authorship Mystery</title>
		<link>https://shakespeareoxfordfellowship.org/last-will-testament-documentary-explores-shakespeare-authorship-mystery/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=last-will-testament-documentary-explores-shakespeare-authorship-mystery</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Tue, 17 Sep 2013 03:53:04 +0000</pubDate>
				<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Austin]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Charlie Chaplin]]></category>
		<category><![CDATA[Derek Jacobi]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Last Will. & Testament]]></category>
		<category><![CDATA[Laura Wilson]]></category>
		<category><![CDATA[Lisa Wilson]]></category>
		<category><![CDATA[Mark Rylance]]></category>
		<category><![CDATA[Mark Twain]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Roland Emmerich]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Sigmund Freud]]></category>
		<category><![CDATA[The Shakespeare Mystery]]></category>
		<category><![CDATA[Vanessa Redgrave]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordsociety.wordpress.com/?p=1912</guid>

					<description><![CDATA[Documentary Film Seeks to Uncover the Truth About &#8220;Shakespeare&#8221; September 16, 2013 — Last Will. &#38; Testament explores one of the greatest literary mysteries of all time: Who wrote the works of William Shakespeare? Although the official story of a Stratford-upon-Avon merchant writing for the London box office has held sway for centuries, questions about the [&#8230;]]]></description>
		
		
		
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