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	<title>Articles &#8211; Shakespeare Oxford Fellowship</title>
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	<description>Exploring the evidence that the works of Shakespeare were written by Edward de Vere, 17th Earl of Oxford</description>
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	<title>Articles &#8211; Shakespeare Oxford Fellowship</title>
	<link>https://shakespeareoxfordfellowship.org</link>
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		<title>Shakespeare died when?</title>
		<link>https://shakespeareoxfordfellowship.org/shakespeare-died-when/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shakespeare-died-when</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Fri, 21 Jul 2023 16:30:37 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Edward de Vere 17th Earl of Oxford]]></category>
		<category><![CDATA[When did Shakespeare die?]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=41196</guid>

					<description><![CDATA[From the archives of the 1988 Shakespeare Oxford Society Newsletter,* Volume 2 page 6, (page 23 of the combined pdf), we have a paper entitled The Dating of The Tempest and &#8220;Ostler v Hemings&#8221;  by Judge Minos D. Miller, Jr., father of Bonner Miller Cutting.  The article is in our online archives but it has an [&#8230;]]]></description>
		
		
		
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		<title>Why Would Anyone Need to Fake Shakespeare&#8217;s Authorship?</title>
		<link>https://shakespeareoxfordfellowship.org/why-would-anyone-have-needed-to-fake-shakespeares-authorship/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-would-anyone-have-needed-to-fake-shakespeares-authorship</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sat, 08 Feb 2020 20:58:42 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[17th Earl of Oxford]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Diana Price]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Shakespeare Oxford Fellowship]]></category>
		<category><![CDATA[Tom Regnier]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=24652</guid>

					<description><![CDATA[by Tom Regnier Writing anonymously or under a pseudonym was commonplace in Elizabethan England. Archer Taylor and Frederic J. Mosher, in their seminal book on pseudonymous writings, The Bibliographical History of Anonyma and Pseudonyma (University of Chicago Press, 1951), stated: &#8220;In the sixteenth and seventeenth centuries, the Golden Age of pseudonyms, almost every writer used [&#8230;]]]></description>
		
		
		
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		<title>Diana Price responds to Oliver Kamm’s criticism in Quillette</title>
		<link>https://shakespeareoxfordfellowship.org/diana-price-responds-to-oliver-kamms-criticism-in-quillette/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=diana-price-responds-to-oliver-kamms-criticism-in-quillette</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Mon, 26 Aug 2019 16:00:05 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Diana Price]]></category>
		<category><![CDATA[Dominic Green]]></category>
		<category><![CDATA[Elizabeth Winkler]]></category>
		<category><![CDATA[Oliver Kamm]]></category>
		<category><![CDATA[Quillette]]></category>
		<category><![CDATA[Richard Paul Roe]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Shakespeare Authorship Question]]></category>
		<category><![CDATA[Shakespeare Oxford Fellowship]]></category>
		<category><![CDATA[The Atlantic]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=21595</guid>

					<description><![CDATA[[Republished from Diana Price&#8217;s website with her kind permission.] In its June 2019 issue, the Atlantic published Elizabeth Winkler’s article describing the case for a relatively recent candidate for Shakespeare’s authorship: Emilia Bassano. Bassano was mistress to Henry Carey, Lord Hunsdon; she was described in Simon Forman’s notes as ”somewhat brave in youth“ (an entry that [&#8230;]]]></description>
		
		
		
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		<title>Poetic Justice for the True Shakespeare?</title>
		<link>https://shakespeareoxfordfellowship.org/poetic-justice/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=poetic-justice</link>
		
		<dc:creator><![CDATA[Bryan Wildenthal]]></dc:creator>
		<pubDate>Fri, 22 Jun 2018 16:00:15 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Authorship 101]]></category>
		<category><![CDATA[De Vere Poem Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Anne Vavasour]]></category>
		<category><![CDATA[courtier poets]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[echo verses]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Elizabethan poetry]]></category>
		<category><![CDATA[Elizabethan poets]]></category>
		<category><![CDATA[J. Thomas Looney]]></category>
		<category><![CDATA[Joseph Sobran]]></category>
		<category><![CDATA[juvenilia]]></category>
		<category><![CDATA[Katherine Chiljan]]></category>
		<category><![CDATA[Oxford]]></category>
		<category><![CDATA[paradise of dainty devices]]></category>
		<category><![CDATA[poems]]></category>
		<category><![CDATA[Prechter]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Shakespeare Authorship Question]]></category>
		<category><![CDATA[Steven May]]></category>
		<category><![CDATA[Vere]]></category>
		<category><![CDATA[William Plumer Fowler]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=14284</guid>

					<description><![CDATA[The SOF is proud to publish a series of landmark studies of the early poetry of Edward de Vere, 17th Earl of Oxford (1550–1604). In June 2018 the SOF presented a major new study of twenty early poems by Oxford, showing they have hundreds of echoes in the canonical &#8220;Shakespeare&#8221; poems and plays. That website [&#8230;]]]></description>
		
		
		
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		<title>What Happened to Shakspere’s Missing &#8220;Inventory&#8221;?</title>
		<link>https://shakespeareoxfordfellowship.org/happened-shaksperes-missing-book-inventory/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=happened-shaksperes-missing-book-inventory</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Tue, 26 Dec 2017 17:00:32 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[17th Earl of Oxford]]></category>
		<category><![CDATA[Alexander Waugh]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Contested Will]]></category>
		<category><![CDATA[Dugdale Society]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Harry Campbell]]></category>
		<category><![CDATA[inventorium exhibitum]]></category>
		<category><![CDATA[James Shapiro]]></category>
		<category><![CDATA[Jeanne Jones]]></category>
		<category><![CDATA[Julie Sandys Bianchi]]></category>
		<category><![CDATA[jurat]]></category>
		<category><![CDATA[Roger Stritmatter]]></category>
		<category><![CDATA[Shakespeare Authorship Question]]></category>
		<category><![CDATA[Shakespeare Birthplace Trust]]></category>
		<category><![CDATA[Shakespeare Oxford Fellowship]]></category>
		<category><![CDATA[Shakespeare's inventory]]></category>
		<category><![CDATA[Shakespeare's will]]></category>
		<category><![CDATA[Stratford-Upon-Avon Inventories 1538-1699]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">https://shakespeareoxfordfellowship.org/?p=13588</guid>

					<description><![CDATA[Bianchi and Campbell Explore Shakspere&#8217;s Will December 26, 2017 When anti-Stratfordians point out that William Shakspere of Stratford-upon-Avon left no books in his will, and indeed there is no evidence he ever owned a book, orthodox Stratfordians often respond by hypothesizing that there must have been a separate “inventory” appended to the will that listed [&#8230;]]]></description>
		
		
		
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		<title>SHAKESPEARE IN COMPOSITION</title>
		<link>https://shakespeareoxfordfellowship.org/shakespeare-in-composition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shakespeare-in-composition</link>
		
		<dc:creator><![CDATA[Lucinda Foulke]]></dc:creator>
		<pubDate>Mon, 14 Nov 2016 20:44:34 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[17th Earl of Oxford]]></category>
		<category><![CDATA[Anthony Munday]]></category>
		<category><![CDATA[Book of Sir Thomas More]]></category>
		<category><![CDATA[Earl of Surrey]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Hand D]]></category>
		<category><![CDATA[Henry Howard]]></category>
		<category><![CDATA[Jack Faukner]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Sir Thomas More]]></category>
		<category><![CDATA[Sobran]]></category>
		<category><![CDATA[Thomas Merriam]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordfellowship.org/?p=9359</guid>

					<description><![CDATA[Evidence for Oxford’s Authorship of “The Book of Sir Thomas More” by Fran Gidley The play Sir Thomas More survived its obscure Elizabethan origins to resurface in the nineteenth century in a single manuscript copy, now in the British Library. What attention it has since received is due to its association with Shakespeare, a matter [&#8230;]]]></description>
		
		
		
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		<title>William Shakspere — The Irrelevant Life</title>
		<link>https://shakespeareoxfordfellowship.org/shakspere-the-irrelevant-life/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shakspere-the-irrelevant-life</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sun, 06 Jul 2014 03:48:12 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[shaksper]]></category>
		<category><![CDATA[shakspere]]></category>
		<category><![CDATA[Stanley Wells]]></category>
		<category><![CDATA[Stratford-upon-Avon]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordfellowship.org/?p=4895</guid>

					<description><![CDATA[by Richard Malim of The De Vere Society. ‘Any man who believes that William Shakespeare of Stratford wrote Hamlet or Lear is a fool.’ &#8211; John Bright (d. 1889), radical politician and orator CONTENTS 1. Introduction: The Protestant Family 2. Education 3. Signatures 4. Shakspere Goes to London 5. Contemporary Ridicule 6. The (Non) Actor [&#8230;]]]></description>
		
		
		
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		<title>Ten Eyewitnesses Who Saw Nothing: Shakespeare in Stratford and London</title>
		<link>https://shakespeareoxfordfellowship.org/ten-eyewitnesses/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ten-eyewitnesses</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Thu, 08 Sep 2011 03:50:57 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Authorship 101]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[Edward Alleyn]]></category>
		<category><![CDATA[Edward Pudsey]]></category>
		<category><![CDATA[Fulke Greville]]></category>
		<category><![CDATA[George Carew]]></category>
		<category><![CDATA[Henrietta Maria]]></category>
		<category><![CDATA[James Cooke]]></category>
		<category><![CDATA[John Hall]]></category>
		<category><![CDATA[Michael Drayton]]></category>
		<category><![CDATA[Philip Henslowe]]></category>
		<category><![CDATA[Queen Henrietta]]></category>
		<category><![CDATA[Ramon Jiménez]]></category>
		<category><![CDATA[Stratford-upon-Avon]]></category>
		<category><![CDATA[Susanna Shakespeare]]></category>
		<category><![CDATA[Thomas Greene]]></category>
		<category><![CDATA[William Camden]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=1189</guid>

					<description><![CDATA[by Ramon Jiménez It is well-known that the first references in print that seemed to connect William Shakespeare of Stratford-upon-Avon to the playwright William Shakespeare appeared in the first collection of his plays — the First Folio, seven years after his death. On the other hand, we can identify at least ten people who personally [&#8230;]]]></description>
		
		
		
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		<title>The Case for Oxford Revisited</title>
		<link>https://shakespeareoxfordfellowship.org/the-case-for-oxford-revisited/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-case-for-oxford-revisited</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Thu, 01 Sep 2011 02:44:34 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[17th Earl of Oxford]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[J. Thomas Looney]]></category>
		<category><![CDATA[Ramon Jiménez]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Shakespeare Authorship Question]]></category>
		<category><![CDATA[Shakespeare Oxford Fellowship]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=964</guid>

					<description><![CDATA[by Ramon Jiménez In his biography of William Shakespeare, the critic Sir Jonathan Bate wrote: &#8220;Gathering what we can from his plays and poems: that is how we will write a biography that is true to him&#8221; (xix). This statement acknowledges a widely recognized truth — that a writer’s work reflects his milieu, his experiences, [&#8230;]]]></description>
		
		
		
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		<title>The Stylometric Debate Over Authorship</title>
		<link>https://shakespeareoxfordfellowship.org/the-stylometrics-debate-continues-online-three-articles-from-the-oxfordian-now-posted-on-the-shakespeare-oxford-society-website/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-stylometrics-debate-continues-online-three-articles-from-the-oxfordian-now-posted-on-the-shakespeare-oxford-society-website</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Mon, 21 Feb 2011 18:17:44 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Clairemont McKenna]]></category>
		<category><![CDATA[computer analysis]]></category>
		<category><![CDATA[Craig and Kinney]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[John Shahan]]></category>
		<category><![CDATA[Oxfordian]]></category>
		<category><![CDATA[Peter Moore]]></category>
		<category><![CDATA[Ramon Jiménez]]></category>
		<category><![CDATA[Richard Whalen]]></category>
		<category><![CDATA[Robert Prechter]]></category>
		<category><![CDATA[Robert Valenza]]></category>
		<category><![CDATA[Shakespeare and Computers]]></category>
		<category><![CDATA[Shakespeare by the Numbers]]></category>
		<category><![CDATA[statistical analysis]]></category>
		<category><![CDATA[statistics]]></category>
		<category><![CDATA[stylistic analysis]]></category>
		<category><![CDATA[stylometrician]]></category>
		<category><![CDATA[stylometrics]]></category>
		<category><![CDATA[stylometrist]]></category>
		<category><![CDATA[stylometry]]></category>
		<category><![CDATA[Tennessee Law Review]]></category>
		<category><![CDATA[Ward Elliott]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">http://shakespeareoxfordsociety.wordpress.com/?p=1546</guid>

					<description><![CDATA[Editorial Note: This essay was originally published on the SOF website on February 21, 2011. It has been revised and updated and may be cited as: Shakespeare Oxford Fellowship, &#8220;The Stylometric Debate Over Authorship&#8221; (2011, rev. 2021), with a link to this page. Scholars have long disputed what &#8220;stylometry&#8221; or &#8220;stylometrics&#8221; may tell us about [&#8230;]]]></description>
		
		
		
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		<title>Shakespeare&#8217;s Knowledge of Law</title>
		<link>https://shakespeareoxfordfellowship.org/shakespeares-knowledge-of-law/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shakespeares-knowledge-of-law</link>
		
		<dc:creator><![CDATA[Shake-Speare]]></dc:creator>
		<pubDate>Sat, 08 Jan 2011 13:48:11 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Shakespeare and the Law]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Mark Andre Alexander]]></category>
		<category><![CDATA[Shakespeare's law]]></category>
		<guid isPermaLink="false">http://www.shakespeare-oxford.com/?p=720</guid>

					<description><![CDATA[Noted lawyer Sir George Greenwood claimed Shakespeare’s plays and poems “supply ample evidence that their author . . . had a very extensive and accurate knowledge of law.”  This essay surveys arguments for and against supposing a legal education for Shakespeare.]]></description>
		
		
		
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		<title>Gabriel Harvey and the Genesis of &#8220;William Shakespeare&#8221;</title>
		<link>https://shakespeareoxfordfellowship.org/gabriel-harvey-genesis-of-shakespeare/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gabriel-harvey-genesis-of-shakespeare</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sun, 31 Aug 2008 05:12:03 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Cambridge]]></category>
		<category><![CDATA[Gabriel Harvey]]></category>
		<category><![CDATA[pseudonym]]></category>
		<category><![CDATA[shakes spears]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=938</guid>

					<description><![CDATA[by Andrew Hannas Reprinted by permission of the author from The Shakespeare Oxford Society Newsletter, Winter 1993, Volume 29, No. 1B In attempts to explain the choice of the name &#8220;William Shakespeare&#8221; subscribed in print to the dedicatory epistles to Henry Wriothesley for Venus and Adonis (1593) and Lucrece (1594), most Oxfordians draw attention to [&#8230;]]]></description>
		
		
		
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		<title>Ten Clues to the Identity of &#8220;Shakespeare&#8221; as Edward de Vere</title>
		<link>https://shakespeareoxfordfellowship.org/10-connections-between-edward-de-vere-and-william-shakespeare/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=10-connections-between-edward-de-vere-and-william-shakespeare</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Fri, 24 Aug 2007 05:16:00 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[authorship question]]></category>
		<category><![CDATA[Earl of Oxford]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[J. Thomas Looney]]></category>
		<category><![CDATA[Mark Anderson]]></category>
		<category><![CDATA[Roger Stritmatter]]></category>
		<category><![CDATA[William Shakespeare]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=702</guid>

					<description><![CDATA[Some characteristics of the author &#8220;Shakespeare&#8221; revealed in the poems and plays, identified by J. Thomas Looney in &#8220;Shakespeare&#8221; Identified in Edward de Vere, the Seventeenth Earl of Oxford, with a comparison of these characteristics to the matching characteristics of Edward de Vere, 17th Earl of Oxford. Mature man of recognized genius. A lyric poet [&#8230;]]]></description>
		
		
		
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		<title>Why Not Bacon, Marlowe, or Derby?</title>
		<link>https://shakespeareoxfordfellowship.org/why-not-bacon-marlowe-or-derby/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-not-bacon-marlowe-or-derby</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Fri, 24 Aug 2007 04:11:30 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Authorship 101]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[Christopher Marlowe]]></category>
		<category><![CDATA[Francis Bacon]]></category>
		<category><![CDATA[William Stanley]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=684</guid>

					<description><![CDATA[Why are there so many Shakespeare authorship candidates? For many people, an understandable question arises, even if one does begin to doubt the Stratford story: &#8220;Granted, there does seem to be a problem with the Stratford man as the author. But why are there so many candidates? Why should I choose the Shakespeare Oxford Fellowship&#8217;s [&#8230;]]]></description>
		
		
		
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		<title>The Ashbourne Shakespeare Portrait</title>
		<link>https://shakespeareoxfordfellowship.org/the-ashbourne-shakespeare/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-ashbourne-shakespeare</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Thu, 23 Aug 2007 19:42:29 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Ashbourne portrait]]></category>
		<category><![CDATA[Barbara Burris]]></category>
		<category><![CDATA[Charles Wisner Barrell]]></category>
		<category><![CDATA[Cornelius Ketel]]></category>
		<category><![CDATA[Hugh Hamersley]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=636</guid>

					<description><![CDATA[The so-called &#8220;Ashbourne Shakespeare&#8221; portrait surfaced in the 19th century at the Ashbourne Free school in Derbyshire. Charles Wisner Barrell, in a controversial 1940 Scientific American article, revealed the painting to be the lost Cornelius Ketel portrait of Edward de Vere, 17th Earl of Oxford. A 1993 article by William Pressley, published in the Shakespeare [&#8230;]]]></description>
		
		
		
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		<title>Shakespeare Revealed in Oxford&#8217;s Early Poetry</title>
		<link>https://shakespeareoxfordfellowship.org/shakespeare-revealed-oxford-poetry/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shakespeare-revealed-oxford-poetry</link>
		
		<dc:creator><![CDATA[Shake-Speare]]></dc:creator>
		<pubDate>Sun, 22 Jan 2006 21:41:31 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Edward de Vere]]></category>
		<category><![CDATA[Joseph Sobran]]></category>
		<category><![CDATA[Poetry]]></category>
		<guid isPermaLink="false">http://www.shakespeare-oxford.com/?p=121</guid>

					<description><![CDATA[by Joseph Sobran This article was first published in the January 1996 newsletter of the De Vere Society. Sobran included the substance of his findings in his 1997 book, Alias Shakespeare (see especially pp. 231–86). This article was republished on the Shakespeare Oxford Society (now SOF) website, Jan. 22, 2006. Readers are also encouraged to [&#8230;]]]></description>
		
		
		
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		<item>
		<title>The Legally Annotated Hamlet</title>
		<link>https://shakespeareoxfordfellowship.org/the-legally-annotated-hamlet/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-legally-annotated-hamlet</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sun, 18 Sep 2005 16:48:20 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Shakespeare and the Law]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[law]]></category>
		<category><![CDATA[lawyer]]></category>
		<category><![CDATA[legal]]></category>
		<category><![CDATA[Mark Andre Alexander]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=1439</guid>

					<description><![CDATA[by Mark Alexander. A scene by scene analysis of legal themes and allusions in Shakespeare's Hamlet.
]]></description>
		
		
		
			</item>
		<item>
		<title>The Shakespeare &#8220;Signatures&#8221; Deconstructed</title>
		<link>https://shakespeareoxfordfellowship.org/the-shakespeare-signatures-deconstructed/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-shakespeare-signatures-deconstructed</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Mon, 12 Sep 2005 15:31:46 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[Blackfriars Deed]]></category>
		<category><![CDATA[John Aubrey]]></category>
		<category><![CDATA[Last Will and Testament]]></category>
		<category><![CDATA[Robert Detobel]]></category>
		<category><![CDATA[Shakespeare signatures]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=1306</guid>

					<description><![CDATA[by Robert Detobel Fidelio: Here&#8217;s the pen, captain: your name to the sale. Captain: &#8216;S foot, dost take me to be penman? &#8230; Fidelio: Take the seal off, captain. Captain: It goes on hardly, and comes off easily. (Thomas Middleton, The Phoenix, Act II, Scene ii) In a recent letter to the editor of the [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Shakespeare&#8217;s Self-Portrait: Charlton Ogburn&#8217;s Argument for Oxford</title>
		<link>https://shakespeareoxfordfellowship.org/shakespeares-self-portrait/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shakespeares-self-portrait</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Fri, 09 Sep 2005 03:35:22 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[Charlton Ogburn]]></category>
		<category><![CDATA[First Folio]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Jr]]></category>
		<category><![CDATA[law]]></category>
		<category><![CDATA[Merry Wives of Windsor]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=1217</guid>

					<description><![CDATA[by Charlton Ogburn Jr. This essay was posted on the Shakespeare Oxford Society (now SOF) website on September 9, 2005, and represents an enlightening summary of Ogburn&#8217;s personal perspective on why Edward de Vere, 17th Earl of Oxford, is the author &#8220;Shakespeare.&#8221; Ogburn (1911–1998) is best known as author of The Mysterious William Shakespeare: The [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Rebutting Reedy &#038; Kathman, &#8220;How We Know Shakespeare Wrote Shakespeare&#8221;</title>
		<link>https://shakespeareoxfordfellowship.org/rebuttal-to-reedy-and-kathman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=rebuttal-to-reedy-and-kathman</link>
		
		<dc:creator><![CDATA[SOF]]></dc:creator>
		<pubDate>Sun, 12 Sep 2004 15:30:22 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Exploring Authorship]]></category>
		<category><![CDATA[Basse Elegy]]></category>
		<category><![CDATA[David Kathman]]></category>
		<category><![CDATA[George Greenwood]]></category>
		<category><![CDATA[John Hereford]]></category>
		<category><![CDATA[Lynne Kositsky]]></category>
		<category><![CDATA[Roger Stritmatter]]></category>
		<category><![CDATA[Terence]]></category>
		<category><![CDATA[Tom Reedy]]></category>
		<guid isPermaLink="false">http://blue.olm.net/~shakespe/?p=1298</guid>

					<description><![CDATA[by Lynne Kositsky and Roger Stritmatter September 12, 2004 In an undated internet essay by Mr. Tom Reedy and Dr. David Kathman, &#8220;How We Know That Shakespeare Wrote Shakespeare: The Historical Facts,&#8221; the authors explain why they &#8220;know&#8221; the conclusion stated in their title. Our purpose in this response is to outline some points of [&#8230;]]]></description>
		
		
		
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