Exploring the evidence that the works of Shakespeare were written by Edward de Vere, 17th Earl of Oxford

Mark K. Anderson

Response to Smithsonian Magazine regarding Shakespeare’s Bible

In response to mis-representations about the significance of Professor Stritmatter’s work on the Edward de Vere Bible by both the Folger Shakespeare Library and the Smithsonian Magazine, an article and letter of rebuttal to the Smithsonian appeared in the spring 1995 Shakespeare Oxford Society newsletter.

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Beauty and the Paradigm

Mark Anderson considers the intriguing parallels between art and science in understanding how the true solution to a problem can be “beautiful.”

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The Art of The Art of Shakespeare’s Sonnets

Shakespeaere Oxford Newsletter columnist Mark Anderson took a look at Helen Vendler’s celebrated book on the sonnets in 1998, de-constructing the artful dodges that make up any Stratfordian attempt to understand them while ignoring the author.

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Thomas of Woodstock

Shakespeare Oxford Newsletter columnist Mark Anderson writes about one of the more famous of the apocryphals, Thomas of Woodstock — a play sometimes referred to as Richard II, Part I, an indication of just how well it fits in with the Shakespeare play. Woodstock was recently produced in summer 1999 for the first time in North America by the Hampshire Shakespeare Company (Northampton, Mass.), then again during winter 2000 at Lesley College in Cambridge, Mass., and is now scheduled for an equity production at the Carmel Shake-speare Festival in fall, 2001 (Carmel, Calif.). Thomas clearly has some flashes of Shakespeare-like wit and dialogue, and just as clearly is the perfect companion play for Richard II. All that’s left to ponder is: Who wrote it?

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